JETHRO TULL A NEW DAY Magazine #113 edition by David Rees Arts Photography eBooks
Download As PDF : JETHRO TULL A NEW DAY Magazine #113 edition by David Rees Arts Photography eBooks
Jethro Tull magazine, featuring new exclusive interview with Ian Anderson
JETHRO TULL A NEW DAY Magazine #113 edition by David Rees Arts Photography eBooks
Where else can you find updates on and Ian's opinion of Mick Abrahams, Clive Bunker, Martin Barre, John Evans, Chris Ellis and Jeffrey Hammond as well as Ian's take on his new album? All written with a sly sense of humor and fierce independence (with "independence" being the main reason I like AND).I've enjoyed AND for 25 years + and have had only 2-3 issues that disappointed. I used to enjoy the unexpected arrival of a new AND in my mailbox, never knowing when to expect it. Now I savor that same feeling doing AND searches on Amazon.
As trite is this statement is, I really feel that every issue of AND is a must buy for any Ian Anderson/Jethro Tull fan.
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JETHRO TULL A NEW DAY Magazine #113 edition by David Rees Arts Photography eBooks Reviews
I was, once again, honored and as obliging as I could be on short notice when asked to prepare the artwork for the March 2014 cover of another special edition of A New Day, The Jethro Tull magazine (hence, "AND").
In this case, the artwork was created in the weeks prior to the release of Ian Anderson's newest "Homo Erraticus" album slated for an April 2014 release coinciding with the AND's March issue.
In the interest of time and economy this time around, the cover for issue #113 was exclusively digitally drawn in a full-out, rush-to-the-finish line challenge and rendered to a panoramic landscape orientation running front-to-back.
I provided an additional photo of the complete cover in AND's / photo library.
It is little-known fact that I often work better under duress, as they say, and never let a good opportunity pass or leave a destination without first seeing to it that all the little fine details are neatly and meticulously sewn together for when the court jester is called in for his approval and a departing toast to celebrate the effort to gracefully and tastefully entertain before sending the art off to the publisher.
For days I toiled (usually in the evenings) in what amounted to some intense hours of modeling and drawing hands, feet, satchel, eye and newt, a hybrid hoe flute, Fedora, faces, shamegh, an ominous mountain landscape terrain and, of course, the 'Parrit Penny Medallion"; while other composite ideas sat on the side waiting for inclusion to the pixel-painted cast of characters.(Not all of them made it to the final draft, but the exercise also produced a few additonal pieces of 'Home Erracticus' thematically-related artwork during development of the cover, most of which still remains to be exhibited.)
Wishfully, I hope the end result portrays a storyline that not only reveals, as publisher Dave Rees puts it, "a wicked sense of humour" (i.e, Tull humour); but, also, that some of what I did paralleled Mr. Anderson's own imaginative vision in the direction of where he was headed on this next musical safari.
In any case, this issue marks the first of a continuing and more lengthy interview with Ian Anderson and also contains an assortment of candy-colored photos adhered to it's pages with some very nice original art provided by artists Mike Bennett and Zara Kimbley, respectively.
So please help yourself and enjoy issue #113 as well as past and future issues since they are all "afforably" available in print or on and are bound to be of historical value in the years to come.
Once again, I am offering signed, full-color, limited edition fine art prints of the cover art (approximately 32" x 24", nearly twice the size of nominal 16" x 20" prints) on 100 year museum-quality archival canvas with Certificates Of Authenticity for this issue as I did with the April 2012 issue #103 that are also still available. A significant number of #103 prints were sold world-wide and there are still some of that issue available. Contact me via my Facebook page, if interested. The first 10 people ordering prints will also receive a complimentary copy of A New Day issue #113 that I would be happy to sign, if that is what you request.
Thanks for reading and kind regards!
Always in All Ways,
F. Maholland
OK
Where else can you find updates on and Ian's opinion of Mick Abrahams, Clive Bunker, Martin Barre, John Evans, Chris Ellis and Jeffrey Hammond as well as Ian's take on his new album? All written with a sly sense of humor and fierce independence (with "independence" being the main reason I like AND).
I've enjoyed AND for 25 years + and have had only 2-3 issues that disappointed. I used to enjoy the unexpected arrival of a new AND in my mailbox, never knowing when to expect it. Now I savor that same feeling doing AND searches on .
As trite is this statement is, I really feel that every issue of AND is a must buy for any Ian Anderson/Jethro Tull fan.
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